| Not Bad for a Girl | |
|---|---|
| Directed by | Lisa Rose Apramian |
| Produced by | Lisa Rose Apramian Kyle C. Kyle Kurt Cobain Courtney Love Tina Silvey |
| Starring |
Mia d'Bruzzi Jill Emery Eric Erlandson Kristen Pfaff Patty Schemel Lisa Fay Jennifer Finch Suzi Gardner Maureen Herman Joan Jett Courtney Love Bambi Nonymous Demetra Plakas Lesley Rankine Jula Bell Gilly Hanner Caroline Rue Donita Sparks Rachel Thoele Becky Wreck Theo Kogan Gina Volpe Sydney "Squid" Silver Becky Wreck Kate Schellenbach Erika Reinstein Anie Stanley[1] |
| Editing by | Kyle C. Kyle |
| Distributed by | Spitshine Productions and Quantum Enterprises |
| Release date(s) | 1995 |
| Running time | 90 minutes |
| Country | USA |
| Language | English |
Not Bad for a Girl is a rockumentary[2] on women musicians of the 90's from the indie rock music genre grunge and Riot Grrrl and celebrates madness, creativity, and gender play. Tina Silvey was the executive producer. Silvey Co. producing MTV music videos for most of the well known indie grunge/indie bands including: Nirvana, Red Hot Chili Peppers, Jane's Addiction, Sonic Youth, Soundgarden, Alice in Chains, Mudhoney, Stone Temple Pilots, The Smashing Pumpkins, Liquid Jesus, Concrete Blonde, and The Replacements. Not Bad for a Girl was written, directed, produced and shot by rock phenomenologist feminist Lisa Rose Apramian, edited, shot and co-produced by Kyle C. Kyle, drummer for Venus and the Razorblades, the Motels, Wafflebutt, and the Wild Stares and co-produced by Courtney Love[3] and Kurt Cobain. It has never been officially released to home video due to music licensing issues but it did find its way to the underground "bootleg" market in 1995 on VHS. A DVD, with a booklet, is available for purchase at the official website and a release date for the sequel book is in the works. Awarded Best Documentary at the New York Underground Film Festival 1996[4], Nominated: Best Director, 19th Atlanta Film and Video Festival 1995.
The bands featured in the film were Hole, L7, Lunachicks, Babes in Toyland, Joan Jett, Calamity Jane, Bulimia Banquet, The Mudwimin, Silverfish, 7 Year Bitch, Bratmobile, Bikini Kill. Courtney Love and Kurt Cobain provided funding for the film[5].
Cara-Beth Burnside is also featured on the beginning and end titles. At that time she was the best female ramp skate boarder and snow boarder in the world.
The documentary features in-depth interviews with every band member, including Donita Sparks and Jennifer Finch from L7, Courtney Love from Hole, Kat Bjelland from Babes in Toyland, and Becky Wreck from the Lunachicks along with clips from live performances from 1989-1994. It also features female rock communities including Riot Grrrl and the first annual Riot Grrl Convention, Rock 'n' Roll High School of Melbourne Australia, and the Feminist Majority Foundation sponsored "Rock for Choice" benefits with L7/ Joan Jett. According to press releases, the film explores themes such as the musicians' relationship to creativity and music, the negotiation of gender identity and gender performance (feminist term coined by Judith Butler) through rock, subversion of stereotypes and gendered expectations through stage play performances and stylization of the body, and the processes of healing and reclaiming through musical expressions.
The sequel Not Bad for a Girl book contains images, anecdotes, reviews, interviews from many more bands unable to fit into the original including Bikini Kill, Bratmobile, Strangefruit, 7 Year Bitch, Tribe 8, Dickless, Girl in a Coma and rock musicians in France, Japan, Brazil, Italy and the Middle East.
The film was screened at film festivals, including the following:
First Annual Los Angeles Independent Film Festival, Directors Guild of America and Raleigh Studios, Los Angeles, CA, April, 1995
22nd Athens International Film and Video Festival, Athens, OH, May 1995
19th Atlanta Film and Video Festival, Nominated: Best Director, Atlanta GA, June 1995
Le Nouveau Festival, now called Festival du Nouveau Cinema, International Cinema Video, Montreal, Quebec, CA June 1995
44th Melbourne International Film Festival, Melbourne, Australia, June 1995 42nd Sydney Film Festival, Sydney, Australia, June 1995
5th Jump Cut International Film Festival, Perth, Australia, July 1995
Festival Internacional de Cinema, Lisboa, Portugal, Aug-September 1995
Hamburg International Film Festival, Hamburg, Germany September 1995
31st Chicago International Film Festival, Chicago, Il, October 1995
Musik-Film Fest: International Film Festival, Amsterdam, The Netherlands, October 1995
Sinking Creek Film Festival (Nashville Film Festival) November 1995
Third Annual New York Underground Film Festival, New York Film Academy, Winner: Best Documentary Feature, March 1996
18th Créteil International Women's Film Festival: Films des Femmes, Créteil, France, March 1996
21st Berlin International Film Festival, Berlin, Germany, March 1996
Reel Music Film Festival, Northwest Film Center, Portland, OR April 1996
4th Annual Boston International Festival of Women’s Cinema, Brattle Theatre, Cambridge, MA April/May 1996
One Reel Film Festival, Bumbershoot, Seattle WA, August 1996
Underground Film Festival, Honolulu Academy of Arts, Honolulu, HI, November 1996
Third Sheffield International Documentary Festival, Sheffield, UK 1996
German Film Institute Festival, Berlin, Germany, January 1997
20th Anniversary International Gay and Lesbian Film Festival, Gay Pride Week, San Francisco, CA June 1997
In addition to these festivals, it was also screened at the following universities, museums and conferences:
Hallwalls Contemporary Arts Center, Women in Film Series, Tribute to Ginger Rogers, Buffalo, NY, Winter 1993 (screened as a work-in-progress)
University of Minnesota Film Society, University Film Center, Fall 1994
Boston University, Film Dept, Boston, MA, Fall 1995
Portland Art Museum, Rock Documentaries, Portland, OR, Winter 1996
21st Annual Feminist Psychology Conference, Association for Women in Psychology, Oregon, Winter 1996
Bowling Green State University, Women’s Studies, Bowling Green, OH, February 1996
Washington State University, American Studies, “American Movement Cultures: Boundaries, Bodies, Borders,” Pullman, WA, Spring 1996
University of Southern California, Women’s Studies, Los Angeles, CA, Spring 1996
University of Southern California, Dept of Communication: Popular Culture, Los Angeles, CA, Spring 1996
Madison University, Women’s Studies, Gulfport, MS, Spring 1996
University of Washington, Women’s Studies, Seattle, WA, 1997
Harvard University, Women’s Studies, Cambridge, MA, November 1997
Long Beach Museum of Art, Long Beach, CA, February 1999
Its art house and theatrical screenings include:
ED VIC MOVIE HOUSE, San Francisco, CA, August, 1996
FILMHOUSE, Edinburgh, Scotland, May 1996
DEUTSCHE INSTITUTE FUR FILMKIND, Amsterdam, Netherlands, October 1996
NUART THEATER, Los Angeles, CA, October 18–24, 1996
CINEMA DU PARC, Montreal, Quebec, Canada, November 1–14, 1996
CINEMA VILLAGE, New York, NY, November 22–29, 1996
NEIGHBORHOOD FILM SOCIETY, Philadelphia, PA, December 11–13, 1996
WINNIPEG FILM GROUP, Winnipeg, Manitoba, Canada, December 11–14, 1996
CINEMATEQUE, Cleveland, OH, January 18–19, 1997
BRATTLE THEATER, Cambridge, MA, February 4, 1997
CINEFEST FILM THEATRE, Cambridge, MA, February 18–19, 1997
BRATTLE THEATRE, Cambridge, MA Return Engagement, March 11, 1997
ROXIE THEATER, San Francisco, CA, April 1–3, 1997
LARK THEATER, Larkspur, CA, April 4–5, 1997
WORMWOOD’S THEATRE, Halifax, NS, Canada, April 11–14, 1997
ROXIE THEATER, San Francisco, CA Return Engagement, April 18–25. 1997